Friday, April 26, 2013

The Tattooed Poets Project: Erika Lutzner

Today's tattooed poet is Erika Lutzner, who sent us this photo:


Erika explains:
I have five tattoos which tell the history of my story; skin is my canvas. The tattoo that I want to share is of Ganesha. I chose to get the tattoo of Ganesha because he is the remover of obstacles, and I was at a point in my life where my path was far from clear. Ganesha watches over me and keeps me grounded and safe. I also have a tattoo of Hanuman carrying a mountain. He represents strength and knowledge. Anil Gupta did all my tattoos. He is an amazing artist. He works on the Lower East Side at his shop, Inkline Studio Inc.
Erika sent us this poem, as well, which was first published in failbetter, July, 2009.

Blackness Slips Through Sundays

A mirror cannot speak truth
Just as a woman’s face masks
a madness
The man in the mug shot
Could be anyone’s husband, friend, father, —
The woman hides behind
fiction

~ ~ ~

Erika Lutzner is the editor of Scapegoat Review. She curates Upstairs at Erika’s, a monthly writer's salon in Williamsburg, Brooklyn. Her work can be found in various places such as failbetter, Eclectica Magazine, and Tygerburing Literary Journal. Her first book, Invisible Girls, by dancing girl press as well as a second book, Some Things Are True That Never Happened (an anthology) are both out. She is working on various new projects. You can find Erika at http://upstairsaterikas.com/ as well as http://scapegoatreview.com/.

Thanks to Erika for sharing her tattoo and poem with us here on Tattoosday's Tattooed Poets Project!

This entry is ©2013 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

SCARFACE.

Today, it's Arni's 21st birthday. He chose to spend his day here at the studio to get a scarface portrait on his leg, and because it was his birthday we had to lace him up with some fresh D9 Reserve gear. Here is the result of the session..




Thursday, April 25, 2013

The Tattooed Poets Project: Ethan Hon

Next up in the Tattooed Poets Project is Ethan Hon.

I met up with Ethan in the Carroll Gardens section of Brooklyn earlier this month and took photos of three of his tattoos.

Ethan credits the talented artists at Fineline Tattoo in Manhattan.


Ethan explained that "the tattoos of Keats [above] and f(x) [below] were done by Mehai Bakaty." He added, "Keats is self-explanatory [and] F(x) I got done as reminder to be a person, to function."


As for the third tattoo (directly below), Ethan explained,

"Mike Bakaty tattooed Boy with Machine by Richard Lindner [and] was done because I couldn't stop looking at it and also because as Deleuze and Guattari remind us: A schizophrenic out for a walk is a better model than a neurotic lying on the analyst's couch. A breath of fresh air, a relationship with the outside world.
I have two other tattoos not pictured: Cascading black hearts and [one] of Ulysses with his dog once he has returned, along with the Arnold Geulincx phrase, 'Ubi nihil vales, ibi nihil velis' translated roughly as 'Where you are worth nothing, then you shall want for nothing' beneath it.
Ethan sent us this poem:

Red Hook

Jesus has dicks for hands
we must not tell him. Of course,
we will never tell him. Again,
or rather once, Dan walked, drenched
from New Jersey, home to New Jersey.
Last night I lay on the floor with a dog
named Pirate. Don’t tell Creezy.
When Santo told me his tattoo
was of his brother, I told him he should
never wear sleeves. It was not but
it was warm. I should only think
of things that are dripping with fuck--
across her lips, I did not negotiate a life
preserver. The world opens to my de-claring.
To have once been enamored is nice
but now I think everyone is divorcing,
Sail by me on your bicycles,
saying, “See you next Tuesday.”

~ ~ ~

Ethan J. Hon is from Omaha, Nebraska. He is a co-founder of JERRY MAGAZINE. His poems and prose have appeared or are forthcoming in Screen and Paper, TheThe, The New Inquiry, Dossier, Tin House, Cimarron Review, Cannibal, Nebraska Review, and Assembly Magazine. His paper “It Is Easier to Raise a Shrine than Bring the Deity Down to Haunt It: Beckett in the Blogosphere” was presented in June of 2011 at Samuel Beckett: Out of the Archive International Conference. He lives in Brooklyn, NY.

Thanks to Ethan for contributing to the Tattooed Poets Project on Tattoosday!

This entry is ©2013 Tattoosday. The poem and tattoos are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

VIDEO.

New video filmed and edited by Sergio.



The Tattooed Poets Project: Laura Mullen

Our next tattooed poet is Laura Mullen, who sent us this photo of a koi on her ankle:.


Laura explains:
"The fish was a celebration of a book, early on (#2 maybe?)--somewhere before I realized how serious I was about this book stuff? I mean, these days, I think a bottle (or so) of champagne is fine now (I'm glad I don't have 7 or 8 tattoos!) (I have two); I'm more like, Okay that's awesome, another book, now let's get back to work.

(I'd like another tattoo at some point but the right place and occasion need to be clear.)
This Koi was done is San Francisco at a studio my friend Joshua Clover recommended: 222 Tattoo. [The shop closed in 2000, according to references here and here.]
Can't recall the name of the artist who did the work, sorry…there was some effort put in, as you can tell, and the fish--out of the sun mostly--is holding up well."
Laura was kind enough to send along the following poem which "is unpublished and newish":

The Plastic Wrapper

The war on drugs
The war on terror
The war on kids
The war on bullshit
The war on drugs
The war on guns
The war on health
The war on bacon
The war on drugs
The war on war
The GOP war on voting
The Left’s war on fertility
The war on Weed
The war on salt
The war on poverty
The war on women
The war on moms
The Republican war on Science
Why can’t the army win the war on suicide
The war on truth
The war on fun
Stop the war on Iran before it starts
The war on drugs
The war on terror
The war on coal
The war on Democracy
The war on sharing
The war on Terror
The war on Drugs
The war on free clicks
The war on health
The war on poverty
The war on cancer
The war on drugs
The war on drugs is a failure
The war on evil
The war on the war on coal
The war on drugs
The war on drugs is just plain crazy
The war on terror
House approves stop the war on coal bill
The war on work
War on terror the board game
The war on Islam
Iraq War
End the war on pubic hair
The war on cameras
The war on drugs
The war on success
The war on bacon
The war on cancer
The war on Christmas
Gulf war
The war on Choice
The war on bugs
The war against boys
The war on immigrants
The war on poverty
The war on Pellagra
The battle for the war on women
The war on terror
The war on coal is a myth
The war on drugs is a failure
The war on Children
The war on women
The war on silver
The war on wolves
The war on terror is over
The war on kids
The war on the middle class
The war on the poor
The war on animals
The war on cancer
The war on terror
The war on Christmas
The war on drugs
The war on drugs the war on drugs
The war on democracy
The war on bugs
The war on terror
Rupert Murdoch’s war on journalism
The Christian right and the war on America
The war on drugs
The war on women
The war on Iraq
The war on drugs the war on democracy
The war on the bill of rights
The war on baby boomers
The war on American jobs
The war on business
The war on success
The war on gays
The war against the weak
The war on doping
The war on wrong
An end to the war on drugs?
The war on terror is ‘over’
The war on cameras
The war on Syria
The war on drugs is lost
The war on women
The war on men
The war on teachers
The war on health
The war on finance
The war on margarine
The war on bagpipes
The war on Wisconsin
The war on Sexual Temptation
The war on crooked police
The war on pizza
The war on java
The war on Nixon
The war of art
The war on everything
Defend America

~ ~ ~

Laura Mullen is the author of seven books: Enduring Freedom: A Little Book of Mechanical Brides, just out from Otis Books / Seismicity Editions, and The Surface, After I Was Dead, Subject and Dark Archive (University of California Press, 2011), The Tales of Horror, and Murmur. Recognitions for her poetry include Ironwood’s Stanford Prize, two Board of Regents ATLAS grants, a National Endowment for the Arts Fellowship and a Rona Jaffe Award, among other honors. She has had several MacDowell Fellowships and is a frequent visitor at the Summer Writing Program at the Jack Kerouac School of Disembodied Poetics at Naropa. Her work has been widely anthologized and is included in American Hybrid (Norton), and I'll Drown My Book: Conceptual Writing by Women (Les Figues). Undersong, the composer Jason Eckardt’s setting of “The Distance (This)” (from Subject) was released on Mode records in 2011. Mullen is the McElveen Professor in English at LSU and a special interest delegate in Creative Writing for the Modern Language Association. She is a contributing editor for the on-line poetry site The Volta.

Thanks to Laura for her contribution to the Tattooed Poets Project on Tattoosday!











This entry is ©2013 Tattoosday. The poem and tattoos are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Wednesday, April 24, 2013

The Tattoosday Book Review: Skin Graf - Masters of Graffiti Tattoo

I guess it's no surprise to me that a quality book about the convergence of graffiti and tattoo art  has come to pass. Even less surprising is that Michael "Kaves" McLeer is involved.


Kaves is co-author, with Billy Burke, of  Skin Graf: Masters of Graffiti Tattoo, which is being released tomorrow, April 25, 2013, by Prestel Publishing.

In fact, before I even talk about the book, I should alert readers that tonight, April 24, 2013, Kaves and Burke, along with writer/producer Sacha Jenkins, will be speaking at the New York Public Library as part of the library's "Design and Style Series." The event runs from 6:00 to 8:00 PM and I plan on being in attendance. Directions and further details can be found here.

I am not a native New Yorker, but when I moved here in 1997, I settled in south Brooklyn, in the area known as Bay Ridge. My fellow city-dwellers who have lived here longer, recall the days when graffiti artists were household names, and have their share of memories of subway cars that were moving billboards for the daring and adventurous artists of this often-misunderstood art form.

When I started blogging about tattoos in 2007, it really was a learn-as-you-go experience for me. I first encountered the work of Kaves a year later, with this post. A year later, I met him, after he opened up shop on 93rd and 3rd near my home in Bay Ridge, and had the pleasure of watching him tattoo close-up (while I was being tattooed by another artist working in the space). His shop, Brooklyn Made Tattoo, is a fixture in the neighborhood and I run into Kaves from time to time, such as when he shared this tattoo, which was done by the legendary Mark Mahoney.


So you can imagine my excitement about the opportunity to read and review this new book, which chronicles   the history of some of the most well-known graffiti artists who have crossed over into the business of tattooing.

The list of artists ranges from Kaves to Seen ("the undisputed godfather of graffiti-inspired art on skin"), and includes Med, Baba, Mister Cartoon, Giant, Ces, Yes2, Pyro, Norm, Helz and Coast.

Each artist merits a chapter, cleverly color-tabbed, and chock-full of wonderful photos by Estevan Oriol and Angela Boatwright, and supplemented by many of the artists, as well.

The reader is introduced to each of these legendary figures with their tags, locations (Bronx, Brooklyn, San Francisco, L.A., Boston...), a small biographical blurb, and several pages of first-person narrative, accompanied by pictures of both art forms, graffiti and tattoo.

Seen
Photo by Estevan Oriol
The juxtaposition is brilliant, as the reader is treated to the sense of styles jumping from inanimate to animate, from brick to flesh. And just to prove to the naysayers who may question the "validity" of graffiti as an art form  we also see more traditional tattoos from these amazing artists, but with that extra something, a touch of the urban art that lies within the steady hand of the tattooers.

by Mister Cartoon
Photo by Estevan Oriol
I can't praise enough the ambitiousness and scope of this project, which succeeds to no end. It's amazing to see the versatility of these exceptional artists who can work as impressively on a canvas the size of a building facade or on something as small as the side of a hand.

Pyro Can
Photo by Estevan Oriol

by Kaves
Photo by Angela Boatwright
This book really is a visual treat.

by Mike Giant
Courtesy of Giant

by Mike Giant
Courtesy of Giant
The range of talent is breath-taking and I whole-heartedly recommend Skin Graf as a must-have for fans of graffiti art and tattooing.

My only criticism is that I want more. The book is bursting with color and styles, but it leaves me with questions, and wanting more. I would love to see a sequel. Are there any established female graffiti/tattoo artists? How about from other parts of the world? Hopefully we'll see a Skin Graf 2!

This book will hook you with its serious appreciation of the history and art of graffiti tattoo. It certainly expands one's appreciation of the art form, both on and off the human canvas. It's a must-have for your tattoo library!

Remember, if you're in New York City tonight, come to the New York Public Library to hear the authors discuss this incredible book.




This entry is ©2013 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

DALAI LAMA.

Today my boy Drew was at the studio. Drew wanted a Buddhist half sleeve to pay respect to his religion. I had already done a Buddha piece on the outside of his arm so today's mission was to work on the inside. We were actually going to do a Lotus flower with a Buddha palm, but then my bro LT shot the idea of doing a portrait of the Dalai Lama. Drew loved the idea and we went with that instead. I was really excited to do it because I have always been interested in the spiritual icons of Buddhism. Here is the result of the session we did today...




''Happiness is not something ready made. It comes from your own actions.” 
-Dalai Lama XIV