Showing posts with label Puerto Rico. Show all posts
Showing posts with label Puerto Rico. Show all posts

Monday, April 8, 2013

The Tattooed Poets Project: Jim Elledge

Our next tattooed poet is Jim Elledge, who sent us this snapshot:


Jim explains how he came to get this tattoo:
"Several years ago, my partner and I went to San Juan, Puerto Rico on vacation and fell in love with it. The following summer, we bought an apartment in the Santurce neighborhood of San Juan, and if all goes well, we’ll be moving there to live permanently in three years. One day at the Museo de Arte de Puerto Rico, I found a petroglyph of the Taíno sun deity. (The Taínos  were the indigenous people of Puerto Rico and other Caribbean islands who were thriving before Columbus’ arrival.) As soon as I saw the petroglyph, I knew I wanted it as a tattoo, and before leaving the island, I went to Harisumi Tattoo Parlor & Body Piercing on Avenida Ashford and had it done. Although I was a little concerned about being accused of appropriating Puerto Rican/Taíno culture, which, I have to admit, I did, I’m constantly stopped on the street or the beach by Puerto Ricans who tell me how wonderful the tattoo is."
Jim sent us the following poem:

Now You See Mister.
Now You Don’t.


Tick-tock: Night limps by, and the martini
Mister stirred twelve full seconds reflects him—
tight, not drowned. Hours before, the key lime
pie made him pucker, the cheap Chianti
made him woozy, the waiter made him hard,
getting wood made him feel visible—but
to himself, not to God, who’s so blissed out
a sparrow distracts Him. (Mister knocked loud!)
And Satan’s so fixated on cheap tricks,
he’s absent, too. Faithful and heretic,
poor Mister punches the Reaper’s time clock,
gnaws bones and laps booze as the bright oceans 
slap continents, and paces while tick-tocks
multiply. Then he passes out undone.

~ ~ ~

Jim Elledge’s H, a collection of prose poems, was issued by Lethe Press in 2012, and his A History of My Tattoo: A Poem won the Lambda Literary Award in 2006. His poems have appeared in many journals, including Barrow Street, Chicago Review, Denver Quarterly, Hayden’s Ferry Review, Hotel Amerika, Indiana Review, North American Review, Paris Review. His Henry Darger, Throw-Away Boy: The Tragic Life of an Outsider Artist is forthcoming in July 2013 from Overlook Press.

Thanks to Jim for sharing his tattoo and poem with us here on Tattoosday!








This entry is ©2013 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.


Monday, August 15, 2011

Adrian's Ink Celebrates His Heritage

I met Adrian last month on a fluke - I was on the D train headed to Brooklyn going to a dentist's appointment, having left work early.

I approached him about his ink and we had a really great discussion about tattoos and art.

Adrian is a wonderful artist and his work can be seen here at Viajero Art (dot) com. Take a look at this exhibit, a mixed media piece that just looks amazing.

He shared two of his tattoos with me. First, this piece:


This tattoo, on the inside of Adrian's right arm, is a Puerto Rican mask. Adrian's family hails from the small town of Loíza, in northeastern Puerto Rico. In the festival of St. James, the Apostle, people wear traditional masks like these as part of the celebration. Adrian explained that St. James was known, among many things, for helping the Spanish fight back invading Moors. One of the functions of the masks, he explained, was to  scare people into going back to church, where the masks represented the terrifying Moors.

Adrian also shared this piece from his right forearm:


This tattoo, he told me, represents the women in his life. The fact that she is depicted as a gypsy is for good luck. The detail in this tattoo is astonishing:


He told me that the artist, the talented Marcus Kuhn, used the image from a popular brand of jalapeno peppers, La Morena, as a model for the woman in the tattoo. You can see the resemblance:


Marcus Kuhn tattoos out of Red Star Irons when visiting New York.

Thanks to Adrian for sharing his amazing tattoos with us here on Tattoosday! I look forward to seeing more of his art in the future!


This entry is ©2011 Tattoosday.



If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.